Newland, Imogene, Main, Angela and Hope, Bryce (forthcoming 2018) 'River', in Body, Space and Technology, 17. ISSN 1470-9120. (

Newland, Imogene, Connell, Gemma, & Guzzanti, Paula (2018) 'In and Out of Flow: Improvisatory Decision Making in Dance and Spoken Word', in Choreographic Practices 8/2, ISSN: 20405669, pp.259-278. (,id=25341/)

Newland, Imogene (2017) ‘Embodied Traces: Co-presence, Kinaesthesia and Bodily Inscription’, in M. Reason and A. Lindelof (eds) Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives (London: Routledge), IBSN: 1138961590, pp.117-123.

Newland, Imogene (2016) 'Sonic City', in Jennie Punter (ed.) Musicworks Magazine, 124 (Ontario, Canada: Musicworks Society of Ontario).

Newland, Imogene & Lopez, Mariana (2016) Preface to 'Haptics & The Senses', HARTS & Minds, 7 (!haptics-the-senses/co1d)

Newland, Imogene (2014) 'Instrumental Gesture as Choreographic Practice: Performative approaches to understanding corporeal expressivity in music', in Choreographic Practices 5/2, ISSN: 20405669, pp. 149-168. (,id=18864/)

Newland, Imogene & Schroeder, Franziska (2013) 'The Musical Body: Devising a choreo-musical interpretation for the work Tierkreis (1974-75) by Karlheinz Stockhausen', in Ways of seeing a body: Body and performance (ed. Sandra Reeve). Axminster: Triarchy Press, ISBN: 978-1-908009-32-6, pp.99-109.

Newland, Imogene (2013) 'Embodying Failure: Music performance, risk and authenticity'. In Somatechnics 3/1, ISSN 2044-0138, pp.98-118.(

Newland, Imogene (2012) 'Performing Touch: Intersensoriality as creative practice in the body/instrument relation', in Activate 2/1, (

Newland, Imogene (2012) 'Blood Piano: Music, femininity and the abject - a practice-led enquiry', in Body, Space and Technology 11/1, ISSN 1470-9120 (

Newland, Imogene & Parker, Chris (2012) 'Subterranean Desire and the Captive Self', in 14th Stimulus and Respond publication CAPTIVE, (

Newland, Imogene (2011) 'The Piano and the Female Body: The erotic, the seductive and the transgressive', Ph.D. thesis, Queen's University, Belfast.